Meet Paul Dab, pianist and co-founder of Fete Concert Series currently living in San Francisco, CA. Like Paul, I share a passion for classical music and admire his work and creative endeavors to bring the beauty of classical music to the social sphere of San Francisco’s night scene.
As an Orch Dork (orchestra dork) in high school, my friends never quite understood (especially at that age) the transportive experience I felt, and still feel, when I intertwine in melodies with a quartet; or ride a wave of sound with a grand orchestra. I found myself trying to hide the fact that I was in the school orchestra. People often think classical music is boring. But there is so much more than watching a symphony in a concert hall (which is still majestic in my book). Classical music can be intimate, funny, conversational, and so much more; if you get behind the story of what composers were saying through those little black dots, lines and squiggly marks, it’s really quite interesting what they conveyed through music. Not to mention, the incredible history of a written piece, how sound travels (and survives) through time, as musicians tackle on the notes through different eras and different perceptions -the musical idea still remains the same.
Paul and his crew really bring this essence to the public, and it’s worth sharing this experience which is why I am excited to feature him as my May Creative. I had a great time talking with him over coffee as we shared our passion for this misunderstood art form in the mainstream. If you’re in the Bay Area, I hope you check out his show and experience their creativity first hand.
In fact, their next show is Saturday (May 6th) !
How did Fete Concert Series come about? Who is part of it?
Fete Concerts began in 2014 when two of my fellow students at SF Conservatory, Annie Smith and Chelsea Hollow, decided to plan a recital featuring the music of Richard Strauss on his birthday. They asked me to be their collaborative pianist and they commissioned composer Eric Choate to arrange Happy Birthday in the style of Strauss. We included a reception of wine, cheese, and homemade birthday cake. This became the basic format for Fete Concerts and the name came after the second concert. Since the beginning, Chelsea, Annie, and I have been taking care of the programs, venues, receptions, finances, and marketing as a team. Each season has become a bit more organized and fluid.
How are you personally connected to the mission? Explain a little bit about why this is your passion project…
The mission of Fete Concerts is to display great works of music in a lively environment that encourages socializing and discussion. Each concert is a chance to delve deeply into the work of a specific composer. It is also an opportunity to discover the work of a composer I didn’t know about. As a performer, I get to choose the repertoire that we play and make a program that flows well. There is no one telling us what to play and so we let our love and passion for music guide the process. During each concert we teach the audience about the composers life to give context to the music and introduce each piece with a bit of our personal connection to it. Communicating with the audience about the music I love is a joy for me. It makes me more comfortable in my performance and gives the audience some direction in their listening. We also engage with the audience during intermission and after the concert so they can ask us questions or share their own opinions. This encompasses my dual passions of playing music and discussing music with others.
When did you fall in love with classical music and what made you decide to take it on professionally (going on to graduate school…etc.)
There is a saying that you don’t choose music, but music chooses me. This has certainly been the case in my life. My grandparents decided to bring me to piano lessons at a young age and I did not stop taking weekly lessons until after graduate school. There was never a question in my mind that I would pursue music throughout my school life and beyond. I chose to attend a high school with a strong performing arts program instead of one with a stronger academic program. This school provided a community of like-minded students and instilled a sense of professionalism in the way I purse my musical life. I played piano, percussion, and violin in different school ensembles but when it came time to think about college, I turned my focus to classical piano and never had a second thought about majoring in piano performance. In college my desire to practice and study piano grew stronger and the more I learned, the more I wanted to keep discovering classical music. There has never been a doubt in my mind that I want to play piano every day of my life and I am working on a career that makes that happen.
What kind of music do you enjoy listening to?
I love bluegrass music. I lived in Nashville for five years and found out that I love listening to string bands, mandolin, and fiddlers. There is a great joy and energy in the music and a sense of community among each ensemble. Bluegrass has a great mix of virtuosity and simplicity which draws me in. The solo lines and the accompaniment are sometimes complicated and sometimes straightforward This genre of music is almost impossible to replicate on the piano and so I experience it as a spectator. One day I may pick up the violin that I haven’t played in over a decade and try learning some fiddle tunes.
What does your practice look like? Do you ever run out of inspiration? What are some mental obstacles you face as a working musician? Are you working/learning a piece right now?
I try to keep a regular practice routine every morning at the very least. I have technical warm ups and I have music that I am learning for different performances. I structure my practice around specific goals so that I can keep track of my progress. When life is busy, piano practice is the thing I look forward to and the thing that can also get left aside. Lately, my schedule has been busy and I have several exciting projects and so inspiration is easy to come by. That is not always the case and there are times when I don’t feel inspired to practice. If I am able to, I allow myself to take a break. If I need learn music without that inspiration, then I must structure my time and goals so that I can work efficiently. I also have certain pieces that I can practice and play that will always feed me inspiration. A mental obstacle that I often face is the desire for perfection in what I do. Often times I can hear the music in my head exactly as I want it to sound and I must make a plan for how to make my hands create that music. I try to arrive at each performance with confidence in my playing, however there are always things that can be improved. The concept of what is a perfect performance changes and can never be fully achieved.
What is your favorite piece right now?
Chopin Nocturne in Eb Major Op. 55 No. 2
Any last words about your love and appreciation for classical music? Give me your 1 minute pitch!
Classical music contains an incredible range of styles and characters which give us entertainment, joy, and beauty. By appreciating old music we can see how emotions, struggles, and pleasures from the past still exist today. In listening to music, we connect with people across time and place, giving us the strength to move forward.
You can catch Paul’s performances on Fete Concert Series’ socials.
Please check them out and show them some love!